KABUKI FUN FACTS (With a little help from Catman and his friends)

KABUKI FUN FACTS from the Ichikawa Nekojin Kabuki Players and Aoi Tokugawa

Kabuki and cartoons have something in common.

For one thing, both project the nature of a character by their face - its color and expression. A bad guy has a terrible face, and a guy who is good or "cool" has a cool face. In Kabuki, a nice guy like Sukeroku has white makeup and red kumadori; that is, a particular style of makeup used in kabuki in which red, blue, brown, and black cosmetics are painted on an actor’s face to emphasize the nature of the character he portrays.

In the case of a female role, for example, a sexy or desirable unmarried lady wears a red kimono. In comics you are likely to see such a woman, perhaps a femme fatale, in a tight-fitting red dress.

The etymology of kabuki is “kabuku”; that is, inclined toward an imbalance or abnormality. Kabuki players like to wear strange fashions; so one might say then, that kabuki is the father of cosplay (costume play).

And there it is and there you have it.

HERON MAIDEN A variation by Kitano Tsunetomi

HERON MAIDEN

     A variation by Kitano Tsunetomi (1880-1947) of his famous "Umekawa" print, dated 1925. The title refers to a one-act kabuki play and dance by the same name.

Kitano Tsunetomi was a well known bijin-ga printmaker and painter. Although woodblocks, his prints have a painterly quality, and look very similar to the scroll paintings on which they were based. In 1880, he was born in Kanazawa with the name Tomitaro. As a young man, Tsunetomi worked as an apprentice to a woodblock carver after which he became a print carver for the newspaper Hokkoku Shinpo. He later moved to Osaka to study nihon-ga style painting under Inano Toshitsune, a student of Yoshitoshi. In 1901, he began working as an illustrator for the newspaper Osaka Shinbun.

     Beginning in 1910, Tsunetomi began to exhibit paintings in the Bunten shows, and he won a prize in the 5th Bunten (1911) for his bijin-ga painting "Rain during Sunshine". He published a folio of four prints in 1918 titled "Spring and Autumn in the Licensed Quarter" (Kuruwa no shunju). These designs were self-carved and printed. In 1924, Tsunetomi founded an art school and publishing house called Hakuyodo. His students included the bijin-ga artists Kotani Chigusa and Shima Seien, who like Tsunetomi, designed woodblocks for the 1923 series, The Complete Works of Chikamatsu.

     Around 1925, Tsunetomi's most famous woodblock print, Heron Maiden (Sagi musume), was published by Nezu Seitaro in a limited edition of 100 prints. Featuring a striking silvery mica background and gofun snowflakes, this print is a masterpiece of minimalist design. The carved lines in the woman's clothing and face capture the spontaneous quality of Tsunetomi's original brushstrokes while the rather stark colors — primarily white, gray, and black, punctuated by small areas of bright red — underscore both the feeling of winter and the otherworldliness of the subject matter. During the 1980s, the Japanese publisher Ishukankokai recarved the blocks for Heron Maiden and issued a posthumous edition, also limited to 100 prints.