CHA-DO: It's Not Just For Ladies Anymore!

Even during the Meiji Era, the Era of Enlightened Rule, it was required, pre-marriage training for women. In the preceding Tokugawa Period, its study was encouraged among samurai and its practice the mark of a cultured gentleman. In the current Heisei Era, the time of Emperor Akihito it is becoming a much-sought out weapon in Japan’s war on stress. It is Cha-no-yu, Cha-Dō: the tea ceremony.

Throughout Japan, on any evening, and particularly on weekends, you may find Japanese men, business men, merchants, engineers, academics, gathered together in suburban tea houses, wearing kimono, hakama, and haori, to immerse themselves in traditional Japanese culture and in particular, this traditional Japanese art, as a means of shedding off the stress and strain of modern life. How? With what would be termed in the West as a “tea party.”

On any evening at the Urasenke School of Tea, one can find an ever increasing number of Japanese men studying the traditions and art of tea; indeed, on some evenings the number of male pupils (largely men over 40) outnumbers women. Japanese people, regardless of age or gender, are rediscovering the beauty and emotional calming effects of Cha-Dō, as a transcendental interlude, a time of peace and re-focusing one’s life. Numerous magazines have recently produced articles, even special “tea” editions, which were quickly sold out as Japan discovers that “new” is not always better and the old ways, tradition, can have a place of significance in the life of the modern Japanese man.

“Cha…it’s not just for ladies anymore!”

ON SIMPLICITY

I believe in simplicity; yet, it is surprising as well as distressing, how many inconsequential concerns even the wisest man thinks that he must focus on in a single day – how rare the matter that he thinks that he must pass over. When a man of science or mathematics wishes to solve a difficult problem, the first step would be to clear the equation of all impediments and distractions, all unnecessary data; thus reducing it to its most simple terms. We should do the same: simply the problems of life and distinguish what is actually necessary and real.

One should search within himself to see where ones actual roots lie.

THOUGHTS FROM A TAKAYAMA ROOFTOP: Musings on a View of History

Musings on a View of History

kishamichi ni
hikuku kari tobu
tsukiyo kana

low over the railroad
wild geese flying –
a moonlight night

-Shiki

The warm days of summer are now gone and the soft, gentle breeze that drifted through the open doors of my study and rustled the papers on my desk has grown teeth. In summer, it would make its way through this old “samurai house,” blending indoors with out, lending a certain tenderness and ease to life. Today, sweater replaces yukata, iced tea is now traded for steaming coffee. Last night the wind shook the closed shutters over our doors and windows, as though demanding entry: equal time with the zephyrs of mid-year. Now our warmth comes from the electric heater and the fire which crackles and snaps from the pit in the main tatami room, on which rides the smoky incense of oak rather than the perfume of flowers and fresh grass.

As I look through the sliding glass door of my refuge, filled with the volumes of Japan past which stir my imagination and answer my questions, only then give birth to new queries, I can see the cats at play in the garden; enjoying the day in their newly fluffed coats. The old puss perches high up on the gate, surveying her domain, as though she is some ancient daimyō watching over her han (domain). The two young ones dart here and there; games of hide-and-seek or perhaps imagining themselves as tigers in the wild; hiding in the now brown grass; waiting for some elusive prey to venture too close to their place of cover. Occasionally one cat ventures out to the edge of the pond and looks in. Yes, the koi are all still there in their places. Then he’s off again to pounce on his preoccupied sibling who just found a mouse. All too soon, the pond will be covered with ice, the ground will be blanketed in snow, and the garden mice will be safe in their nests below the porch.

One cannot help but to smile a bit at the moment, and then I look at the volumes of history that line the walls of my room and think about autumns long ago. Did Tokugawa Ieyasu look out his window at Edo Castle, or later at Sanpu in Suruga, and see similar scenes? Some might say no, he was without doubt too busy plotting and scheming. I think he did see such things and probably thought deeply upon them in his later years. Nevertheless, that is a difference in the viewing of history.



History is merely an attempt to write about events that belong to the past. What is written depends on documents: manuscripts, essays, and articles from the period being written about. Modern-day topics and events are often regarded as being too ordinary and thus, unworthy of documentation except as television newsbytes or a few short columns in a newspaper.
I often find myself wondering how historians, perhaps two or three centuries from now, will regard the last few years, and especially this year of 2009, in viewing Japan or the United States. Will they describe 2009 as a year when America began to once again find direction and to re-assume a position of world leadership, this time for the betterment of the world in general and in particular for its own citizens; or, will they perhaps hold 2009 up as enduring evidence that a once great notion grew too big to sustain itself and its ideals, and in the end failed?

Will they say that Japan continued its socio-political decline, and that its culture continued to erode, giving way to the forces of globalization, just as a beach is consumed by the waves of an approaching typhoon, or will they perhaps say that 2009 was a year when Japan, at last, broke free from the miasma from which it suffered, beginning at the end of World War II? Did Japan at last find its feet and stand up to demand equity with the United States among the nations of the world and cast off its acquiescence to Western domination?

Recently I wrote a short essay on the topic of Bushidō and its core. The article, much to my delight, stirred more than a little controversy and debate, which in itself, was a very good thing; for in my mind, such writing has little point unless it stirs thought and stimulates discussion. The essay and resulting commentary became the subject of conversations among myself and other Japanese with a more than passing interest in Japanese culture and history. Some were outraged by the views expressed by a group from the San Francisco Bay Area: others were simply dismayed. More than one comment was made that they should “admit their shame and end their life.” The comment was also made that some, whose samurai heritage had been insulted, would be more than willing to assist the group in the called for acts of seppuku. Some may indeed by surprised that one’s samurai heritage can be insulted, more than one hundred and forty years after the conclusion (note I did not say fall) of the Tokugawa Era. Most Japanese, even those who we might term as “liberals” are far more conservative than their American liberal cousins are. Most Japanese still attach great significance to their family histories: their clans and their samurai heritage. That is being Japanese.

Certainly, the group, Asians Art Museum, which parodies the San Francisco Asian Art Museum, has every right to express their views and opinions; indeed, I encourage it. Yet, the Japanese who read it and expressed their opinions to me, felt that the group’s views were tainted, that there was a certain “agenda” not too well hidden beneath their words: expressions marked with an irony that does not translate to Japanese thought. Among the Japanese students of Japanese history, none of my associates regard themselves as scholars but simply as students, sincehistory is an unending process of study and analysis– a process we often engage in over coffee, tea, sake and snacks (we try to do things with a bit of flair), the view was frequently expressed that aspiring or pseudo-historians tend to notice or to select records which match their own pre-conceptions of the past and support (or can be bent to support) their own personal, revisionist agendas; that is, they have an ax to grind.






Certainly there exits confusion about the complexities of Japanese history, even among Japanese. In this particular case, however, we have Western historians giving interpretation to Japanese history. In the West, modern historians still are greatly influenced by 18th century theories of history and long-past Age of Enlightenment in Europe. They still regard the European medieval age as the “dark ages” and as a corollary, the age of Japanese feudalism: cruel, dark, dismal. Certainly some Japanese historians and intellectuals (such as Nitobé Inazo) are equally as guilty of this view, having themselves imported ideals of Western feudalism and overlaying them on unique, Japanese concepts. Add to that a certain taint of Marxism interlaced with the American penchant for political correctness, and the overall result becomes skewed. A result is the compartmentalization of Japanese history into Japan’s “Classical Era,” Japan’s “Feudal Era” or Dark Ages, and the Modern or “Post-Tokugawa Era”, when it is far more complex than that. This tends to perpetuate the selective (and often simplistic) reporting of history: ignoring the complexities of Japanese history, which can be likened to the weaving of some fine tapestry.

Nevertheless, the overall result of the discussions was twofold. First, that certainly, everyone should be free to express their thoughts and opinions, even though it may lack wisdom or good manners – expression is essential. The second conclusion was that Japanese history and its interpretation should be left to Japanese, since the West is not equipped to understand and appreciate Japanese thought and the depth of Japanese culture and the intricacies of its history.

(To be continued)

-Tokugawa H.

Copyright 2009 by H. Tokugawa and Shisei-Do Publications. All rights reserved.

Sakura and Samurai

THOUGHTS FROM A TAKAYAMA ROOFTOP:

Some thoughts by Aoi Tokugawa-sensei on

Japanese Thought, Samurai, and Bushido.

I think of history as a series of lines, not dots. Many of the small things, the small day-to-day things that occurred maybe be regarded as dots, for example a fire, a storm, a flood; but not the major events (a war, a coup, a regime change, etc.). These things are connected to other events of the past with a straight line. The same can be said of the history of thought.

The evolution of thought definitely occurs at the various turning points in the history.
It does not pop into the mind as if God’s own voice. In order for thought to spread through society, it requires a background that people can accept. For example:

Why didn’t European Chivalry take root in Japan?
Why didn’t Islam religion take root in Japan?

I have never seen a Japanese who perform prayers five times in a day and abstain from food, nor do we accept Muslim dogma. Why? Because we Japanese have no background, no history which would permit us to accept it.

The “background” I mention could be anything from a shared history (and shared experiences) to a shared culture (shared thought, aesthetics, character). It could possibly extend to a shared DNA: Japanese DNA inherited from our ancestors – the ancient Japanese. Much of what we are is carried in our DNA; however, this is not something unique to Japanese but common to all the people in the world. No one completely understands the evolution of DNA or how national and social characteristics are passed along, but it would seem that they are. It is part of what makes a Japanese, Japanese, and all Japanese thinking, our viewpoint of the world and ourselves come, in part, from it.

Why do Japanese love Sakura? Because we are Japanese. That is all that needs to be said.

Samurai and Kamikaze pilots must have seen their life in Sakura. Yet, there are people who think that the Sakura is an icon of militarism. Certainly there is a relationship between Sakura and militarism: it is true so I won’t try to deny it. However, for the majority, when we see Sakura, everyone senses its beauty. No one thinks, “Oh! Militarism has blossomed. Oh! Sakura is terrible!”

What I want to discuss in this blog, in the future, is Japanese thought. But do not be too concerned, as I will not harp on the matter of DNA as I mentioned briefly above – it is too difficult a topic for most people, including myself.

The thought has form but no form; we cannot touch it or hold it, but the form reveals itself in human’s behavior.

When it comes to the Japanese thought, the first thing that comes to mind is Bushido.

“Loyality” exists in Bushido thinking as a major principle. Did every samurai obey it? The answer is no. The actual, historical samurai is different from the popular image of samurai (cool and gentlemanly); an image we receive from movies and literature. Because the historical samurai is different from the “pop” samurai, some are inclined to say that Loyalty was a quality that didn’t exist in samurai.

They felt hunger, they felt pain when a sword cut them; and to die, was terrible. Some of them hated even the thought of hari-kiri: “No, no, I don’t want to die that way!”
The existence of such samurai is to be expected, because they were human beings: not supermen. A few were even brats; yet aside from them, we can see the form of Loyalty in the good, ethical behavior of the samurai.

Thanks to Nitobe Inazo and his book on Bushido and the film The Last Samurai, I think everyone has a bit of knowledge now about Bushido and the Hagakure. However, few seem to know about Shido, which is vastly different from Bushido as described by Nitobe or in the Hagakure.

Shido was born as Japan became peaceful society during the Edo Period, parented by such men as Soko Yamaga, Sorai Ogyu who were Confucians. How is Shido different from Bushido? Let me show you a bit of the difference through example.

In the film The Last Samurai, there are lines of dialog that clearly illustrate Shido. In one of the last scenes of the film, after the death of Katsumoto (Ken Wtanabe) in battle against the government forces lead by the Meiji Era oligarch, Omura; the central character Algren (Tom Cruise) has an audience with Emperor Meiji and presents him with Katsumoto’s sword.

“Tell me how he (Katsumoto) died,” said the Emperor.

“I will tell you how he lived,” answered Algren.

Here then, in these two lines,is the difference between Bushido and Shido, layed out for us. How to die is Bushido. How to live is Shido. It is said that Bushido is the philosophy of death; Shido is the philosophy of life.

There are those who regard Shido (those who even know of it) as the opposite extreme of Bushido; yet, I disagree. Bushido and Shido are bound together by the same core of thought: To die with honor, one must live with honor. As one lives honorably, one may then die honorably, just as the cherry blossom (Sakura).

There were many samurai who based their lives on the principles of Shido; such as Byako-tai, the men of the Shinsengumi, the 47 Ronin. In simple terms, they were the personification of loyalty and products of loyalty.

Later, I will tell you of the 47-Ronin and through their thoughts and behavior, I believe we will be able to see and better understand Japanese thought and Shido. We might even talk more about Japanese DNA!

*There are many terms in the Japanese language and thus in Japanese history which are difficult to translate into English. I will use the Japanese words and then attempt to explain their meanings and concepts to the reader. Also, please bear in mind that this is not an academic paper, but simply my thoughts, my blog, so I will write it in my own, humble style.

THE FIRST SIGNS OF AUTUMN

The First Signs of Autumn

Aki tatsu ya

Nani ni odoroku

Onmyōji

the beginning of autumn:

what is the fortune teller

looking so surprised at?

-Buson

Perhaps he is surprised because autumn is so early in its arrival: at least four to six weeks early by the calendar. Autumn colors such as these are far earlier in their display this year than in previous times. What that means for winter one can only guess, but for now, it is an early chance to walk about and enjoy the splendors of nature.

JAPANESE AESTHETICS (Bigaku)

JAPANESE AESTHETICS (Bigaku)

One of the most distinguishing characteristics of traditional Japanese aesthetic thought is the tendency to attach far greater value to symbolic depiction than realistic portrayals. Another attribute to be considered is the supposition that in order to be true art, a work has to involve a discerning representation of what is beautiful and an aversion from the crude and profane. As a result, artists have traditionally tended to select nature as their subject matter, steering clear of depictions of everyday, common life.
It was the Heian court, often described as having an exaggerated taste for grace and refinement, which exerted an enduring impact on subsequent cultural traditions, designating elegance as a key measure of beauty. Numerous cultural and artistic concepts, such as okashi, fūryū, yūgen, and iki carry with them a nuance of elegance.[1]
Another quality, one to which great value is attached, is impermanence or transience, itself a variation of elegance; exquisite beauty being regarded as both fragile and transitory. Metaphysical profoundness was provided through a merging of Buddhism, with its emphasis on the inconsistency and uncertainty of life, with this ideal. Numerous aesthetic conventions, such as wabi, sabi, yūgen and aware (with its subsequent amplification of mono no aware) all imply transience.
Over time, the presence of an artistically created void, in either time or space, became an important concept in aesthetic theory. The concept of simplicity became a culmination of the concepts of simulation and substitution, which stressed symbolic representation. Aesthetic concepts such as wabi, sabi, ma, shibui and yojō[2] are all inclined toward simplicity in terms of their basic inferences, consistently demonstrating distaste for elaborate beauty.
Simplicity denotes a certain naturalness or lack of pretense. In traditional Japanese aesthetics then, the separation between art and nature is considerably smaller than in Western art, stemming from the belief that the mysteries of nature cannot be presented through portrayal, but only suggested and the more succinct the suggestion, the more effective it becomes.


[1] The aesthetic concepts of wabi, sabi, yūgen, aware and mono no aware will be discussed in subsequent articles.
[2] The aesthetic concepts of ma, shibui, and yojō will be discussed in subsequent articles.

Copyright 2009 by Hayato Tokugawa. All Rights Reserved.

Zen and the Art of De-cluttering

Zen and the Art of De-cluttering

The Wa-Dō Mind: Moving Toward Simplicity

How to De-clutter

One of the major foundations of Wa-Dō, The Way of Wa (Peace and Harmony) is Zen and its tenet of simplicity in life and aesthetics. Zen suggests that one should take care of themselves and those around us, just as Wa-Dō suggests the encouragement of harmony and peace within ourselves and our communities.

For most people, however, taking care of ourselves tends to be somewhere near the bottom of our “grocery list of life.” We have become used to chronically mistreating ourselves and we assume that stress is just part of what we are dealt in life. Nevertheless, we can control our lives and we certainly can control our levels of stress and distraction. To accomplish this, one has but to simplify their lives in whatever ways they feel are most needed. For myself, a major cause of stress and distraction was, and remains, clutter.

For decades, I had been a packrat. My house was cluttered, my office even more so. As I grew older (and hopefully wiser), I found that it was becoming increasingly difficult to live and especially to work in a cluttered environment. I could not find things, and that caused me stress. Visually things were disorderly and confused, often making it difficult for me to work well. Yet, I have found that one of the things that gives me the most peace, tranquility and clarity of thought is having a clean, simple home. I found that waking up in the morning and walking out into a living room that had been de-cluttered, that had a minimalist look and was not full of “stuff” laying round, was a calming experience that helped set the mood for the day. Before de-cluttering, when I walked into a room littered with toys, mine and the cats, books, papers, and plenty of extra “stuff”, the feeling was one of chaos: again setting the mood of the day.

I have also found that one must revisit their clutter from time to time, because, no matter what, it will creep up on them again.

Here are some de-cluttering tips:

n De-clutter in small portions. Set aside just 15 minutes a day to de-clutter just one shelf, one corner, one spot and when that place is cleaned up, celebrate a victory. Then tackle another place or spot for 15 minutes the next day. In addition, celebrate that victory. To conquer an entire room can be overwhelming, and certainly one does not want to “attack” an entire house in one day. First, it is impossible, secondly, it is too overwhelming, frustrating and discouraging. The end result would be that one would be inclined to put de-cluttering off forever. It is far better to approach the task of de-cluttering in “baby steps.”

n Set aside a couple of hours to do it. Yes, this is a contradiction of sorts of the idea of doing things in small steps; however, this suggestion is made as an alternative. One should do what works best for them. For many people, it is good to set aside part of a morning or afternoon to de-clutter a room or closet, but certainly not more than that. The feeling of accomplishment when the job is complete is quite gratifying.

n Take everything out of a shelf or drawer at once. Whatever approach one chooses, a “baby step” approach or to set aside one part of a day, one should focus on one drawer or one shelf or one spot and empty it completely. Then clean that shelf, drawer, or spot. Then, one should take the pile of “stuff” and put back just what they want to keep. After that, tackle the next shelf , drawer, or spot.

n Sort through your pile of stuff, one item at a time. Make quick decisions. One should bring with them to the task, a trash bag – at least one. Part of Wa-Do is to take care of the needs of friends, family, and the community. One should also consider bringing to the job at hand, a give-away box; a box for things which one feels they no longer need or want, but which may be of some benefit to others – especially the poor in your community. We should always consider our good fortune and our neighbors in deed. When one pulls everything out of a drawer or shelf, for example, sort through the pile one item at a time. Pick up an item and make a decision: trash, give-away, or keep. Do not put it back in the pile; this is simply putting off a necessary decision. Be decisive. Do this with the entire pile and soon, you ewill be done. If you keep sorting thorugh the pile and resorting, it will take forever. Put back only what you really want to keep and arrange things nicely.

n Be merceiless. One may be a pack rat, just as I am, but truth be known, one will never use most of the stuff they have accumulated. If something has not been used in the last year, consider getting rid of it. It is as simple as that. If one has only used something once or twice in the last year, but they know that they will not use it in the next year, it should be gotten rid of. Toss it if it is unsalvageable. Give it away if someone might be able to use it.

n Papers: Show no mercy, unless it is important. Magazines, catalogues, junk mail, bills more than a year old, notes to one’s self, notes from others, old work papers: toss them! The only exception is with tax-related stuff, which should be kept for at least seven years and other important documents like warranties, birth, death, and marriage certificates, insurance papers, wills and other important documents like that. Such documents are easily recognizable, otherwise, get rid of them.

n The “maybe” box. If one cannot bear to toss something because they truly think that they might need it later, then they should create a box labeled “Maybe,” put those things that one cannot immediately decide on into the box, close the box, and put it in storage out of sight. Chances are that one will never open the box again. If that is the case, take the box out after six months and throw or give away the contents.

n Create a system to stop clutter from accumulating. There is usually a reason one has stacks of papers all over the place and big piles of toys, books and clothes. It is because one does not have a regular system to keep things in their place and to get rid of things they do not need. This is topic in and of itself and will be approached again. For now, it is something to consider as one goes about the process of de-cluttering. There is no perfect system, but if one will think more intelligently about how their house (or office) became cluttered in the first place, perhaps they can find ways to stop it from happening again.

n Celebrate when done. This should be a generally rule of life: always celebrate your accomplishments, no matter how small. Even if one de-cluttered only one drawer, that is an accomplishment. One should treat themselves to something nice: maybe something delicious. Open the drawer, closet, or look at the place just de-cluttered. Admire it and its new simplicity. Breathe deeply and know that one has done a good thing. Enjoy the peaceful feeling.

Emotions and Forms: Uniquely Japanese

Emotions and Forms: Uniquely Japanese

Much of my formal education and training had been in science and law; both disciplines based upon logic. As I grew older, and hopefully wiser, and as a student of traditional Japanese Budō and Bushidō, I began to read and study about the Japan of past days; and as I experienced life in Japan, not only in the dojo but in the small towns and villages, away from the cities, I began to think about such Japanese things as jōcho (emotion) and katachi (forms of behavior). People took tradition seriously. They often enjoyed dressing in kimono; they enjoyed eating together as a family, gathered around a low table in the living area of a simple home. People who were too loud or boisterous were given a cold shoulder. I witnessed Japanese unspoken communication and personality projection. Away from the cities, the national character was entirely different. Customs and traditions, sincerity and humor, were considered of much greater value than the logic I had learned and trained in at school. Of course there were some people who clamored for “more”, “more is better”, “modern is better”; yet, those who shouted for more reform to the modern ways, were discreetly criticized by the elders as “lacking a proper sense of humor.”

I began to realize that, yes indeed, logic had its place, but aesthetics, emotions and forms of behavior could be equally important if not more; things uniquely Japanese. When I mention “aesthetics,” I am speaking of such things as nihonjin no shizenkan, the concept of nature. When I say “emotion,” I am not speaking feelings such as joy, anger, sympathy, sadness or happiness, which we learn about in school and which we all experience naturally; I am refereeing instead to emotions that are cultivated through cultural experience; such emotions as natsukashisa, a sense of yearning for the lost, an mono no aware, an awareness of the pathos of things. By “forms,” I mean the code of conduct that has been with us for centuries, derived from Bushidō, the samurai code of ethics.

When considered together, these are the things that make Japan and the Japanese special, unique in the world. Just as Nitobé Inazo pointed out that Bushidō was the foundation of Japan’s national character, so also are these others. Even as far back as the Meiji Restoration, both emotions and forms of behavior began to go into a gradual, imperceptible decline. The rate of decline was accelerated in the Showa Era and sustained extensive deterioration after World War II, as the country suffered from Americanization and free market principles which reached deep into the Japanese heart to exert their influence on Japanese society, culture and its character as a nation. Even the Japanese educational system, has served to erode the Japanese pride and confidence in their country, largely at the hands of revisionist politicians and historians. People, particularly in the cities began to forget those things that were the country’s traditional emotions and forms of behavior, the things that should have given them the pride to be uniquely Japanese. Instead, the country falls prey to the logic and reasoning of the West and the decline continues through a process of globalization, which is nothing more than an attempt at making the world homogenous. Japan must find the means to realize and preserve its individuality and to recapture its simplicity in living, its emotions, and its forms; thus, remaining forever, uniquely Japan.

THOUGHTS FROM A TAKAYAMA ROOFTOP: A LESSON FOR THOSE WHO GOVERN

A Lesson in Wa-Dō for Those Who Govern

Not long ago I read the following story from far back in Japan’s history concerning Nagano Prefecture and Onda Moku (1717 – 1762). It is a classic example of Wa-Dō, the Way of Peace and Harmony, and its concern for the welfare of people and the community. More than that, I felt that as the economy of both Japan and America suffers from what could be termed at least a “partial collapse”, and there is urgent need, for a quick recovery. More than just a restructuring how those two nations go about business, both the business of people and the business of the economy, a very different awareness and approach might be necessary; therefore, there might be a lesson for current and future leaders in this story.

The year was 1757 and floods and earthquakes had devastated the Matsushiro Province (now Nagano Prefecture), which was now suffering its worst financial crisis in history. Its samurai received only one-half of their annual stipends; corruption was rampant; tax payments were seriously in arrears. Onda Moku was given full power by the diamyō to restructure the clan and province finances. Certainly, it was not the first time that a province had experienced financial problems; however, what makes this story interesting, is the unique approach taken by Onda. He actually took the unprecedented step (unprecedented then and unprecedented now) of consulting everyone whose lives would be affected by his reform measures.

Up until that point in time, peasants had been considered merely a means by which to obtain tax revenue, with their opinions mattering little. Onda took a new approach and a new attitude. He instinctively knew that what he needed, in order to be successful in his plans, was the active cooperation of both provincial officials and of the peasantry. In consulting with them and giving them something in return, he was thus engaged in nemwashi, touching bases with all those affected. This has become one of the most cherished principles of Japanese management practices.

According to Onda’s memoirs, he called all the clan officials together. One of the first things he told them was that although payments of stipends had been in arrears or had sometimes failed entirely, he intended to see that they were paid accurately in the future. In return, he was instituting a system of sure rewards and certain penalties.
He then ordered all village headmen, rich farmers and police officials to gather and to bring with them people who could speak their minds clearly and succinctly. On the appointed day, Onda said the following:

I realize that because of the lord’s financial predicament, many of you have been caused a great deal of trouble. It may well be that in the future, as I attempt to fulfill my role as financial controller, you will be caused still further trouble, and for that I am sorry. But first of all, I promise to propose nothing that is impossible; once I have made a statement, I will not alter it. Further, unless you and I discuss all matters openly with each other, it will be impossible to put the clan’s financial situation in order. Since I cannot succeed by myself, I ask that all of you talk everything over with me freely…

Next, not only on auspicious occasions but also at all other times, I will allow no sending of gifts, no matter how impressive. I will not term such gifts bribes, since that would create difficulties for everyone…In the future, I intend to hear everyone’s requests and pleas; therefore, there is no need to send bribes to anyone. This goes for all officials as well as for the farmers/
The next point concerns tax collection. In the past one hundred from each one thousand available foot soldiers have been kept in the castle at various jobs. Each month the remaining nine hundred were sent to the villages to collect tribute rice. But from now on, this practice will cease. Although it is difficult to predict the distant future, I intend to fill this office for five years. During that time, I will levy no demands on you for regional construction or for various duties in the castle…

After discussing incidents of advances farmers were forced to pay on their taxes, loans forced on farmers and merchants by the provincial government, and non-payment of taxes, Onda said:

Be informed that all unpaid taxes to this point are forgiven. But, anyone who fails to pay this year’s tributes, though he be stark naked with poverty, will face a punishment worse than death…

Although we should like to return the advances and the advances on advances that some of you have paid, we lack the funds to do so. Furthermore, as you have heard, we intend to forgive all taxes in arrears to this point. Therefore, I request that all of you who have paid advances accept the loss.

I want you to return to you to return to your villages and tell the other farmers what I have said. All of you must deliberate on the question together before an answer. If you fail to agree, I must commit seppuku. Remember that the tings I request are these: all advances paid to the present must be written off as losses in favor of the clan, and everyone must pay this years tax rice without fail. There are some things to take into consideration however, that make the picture brighter than you might think…Do not forget that all bribes that were customarily paid in the past have been forbidden. This alone will save the villages about 100 koku of rice a year. The foot soldiers who formerly made monthly trips to collect taxes will no longer be lodged in your house. This means great savings in the housing and food that you provided. Furthermore, you will no longer be forced to supply people and funds for duties and services to officials. All the savings that the elimination of these burdens bring to the farmers will amount to about 70% of this years tax assessment. In addition, starting now, I should like to put tribute taxes for the Yamashiro clan on a monthly installment basis.

To those who lent money to the clan, we would like to return what we owe, but we do not have the funds present. It may be that most of your children or grandchildren will find themselves in financial troubles or in hard times in the future. We should like to pay the money back to them when it becomes needed, but we will be unable to pay interest. All we can do is return the principal…

He then said that if any of them had been injured or harmed in any way during the past period of bad political administration, they might unhesitatingly write down their complaints, which they might present after sealing them well [to protect there privacy and security from retribution].

Last week, Congressman John Boehner said:

What’s going on here is unsustainable. Our nation is broke. And, and at a time when we’ve got this serious economic problem, a near 10 percent unemployment, we ought to be looking to create jobs in America, not kill jobs in America. Their cap and trade proposal, all this spending, all of this debt and now their healthcare plan will make it more difficult for employers to hire people, more difficult and more expensive to have employees, which means we’re going to have less jobs in America. But Americans are scared.

I think people both in Japan and America are scared. Worse, I have no doubt that the country is broke. If one looks at the balance sheets, there is no money, only promises to pay, just like the provincial government in 1757. While I don’t think that Japan as a nation is broken; indeed, there may be some new and productive, maybe even dramatic changes in how things are done. As for America, I can’t help but feel that not only is that country broke but it is also broken. Regional differences, regional interests in both the Senate and House of Representatives, racism, ignorance, corruption (both moral and political, and at times the overlap) are rampant. A broken national economy and broken regional economies are a result. Perhaps, just perhaps, America is just too big, too diverse, to mean and selfish to govern as it is. If you ask me if the will United States will exist as it does now in 25 years, my answer would be, “Maybe and maybe not.” If you ask me if the United States will exist in 50 years, my answer would have to be, “Absolutely not…unless there are some deep, drastic, and sincere changes.”

Ten Kinds of Simplicity

Ten Kinds of Simplicity

Although the attraction toward more simple ways of living a strong for some, the attraction for the opposite can be equally as strong for others. It would seem that many people are not giving even cursory consideration to more simplicity in their lives because they see it as too great a sacrifice. Instead, they seek deeper resources of satisfaction that they perceive can be found in a consumerist life-style, one which in the long-term brings higher stress and fewer true rewards. In Japan until the recent recession, the percentage of the population reporting that they were very happy remained relatively unchanged: roughly 33%. At the same time however, divorce rates doubled and suicides have tripled. An entire generation tasted the fruits of an affluent society and is now discovering that money does not buy happiness. The present recession presents a special opportunity to take a new course in one’s life: to pull back from the rat race and move into a life that is, although materially more modest, rich with family, friends, community, creativity, and service.

To present a more realistic representation of the extent and expression of a simpler life-style for today’s complex society, here are ten different approaches to consider. Although they may overlap a bit, each expression of simplicity seems distinct enough to merit a separate category.

Simplicity by Choice

Simplicity means choosing a path through life consciously, deliberately and as a matter of one’s own choice. As a path or “way” that places emphasis on freedom, the choice of simplicity also means staying focused and not being distracted by the consumer culture. It means consciously organizing one’s life so that they can give their true personal gifts to the world: the essence of ourselves.

Commercial Simplicity

A more simplistic life would mean that there is then a more rapidly growing personal market for healthy and sustainable products and services of all kinds; from home design, building materials and energy systems to food. There exists the potential for an enormous expansion of conscious economic activity toward sustainability.

Compassionate Simplicity

With simplicity in one’s life can come a kinship, a bond with the community and a desire for reconciliation, even with other species as well as a strong desire to be of true service to others and a stronger desire for cooperation and fairness, which seeks a future which is beneficial to all and decreases the gap rich and poor.

Ecological Simplicity

Simplicity mans to choose ways of living that tread far more lightly on the earth, reducing one’s “ecological footprint.” An ecological simplicity brings with it a deep interconnection with all life and a consciousness of threats to its well-being (such as climate change, species extinction and resource depletion) coupled with a desire to do something about it. Ecological simplicity cultivates a type of “natural capitalism:” economic practices that value the importance of natural ecosystems and which can impact the community in terms of its health and productivity.

Elegant Simplicity

Simplicity can mean that the way one lives their life represents a work of unfolding artistry. It is an understated aesthetic that contrasts with the excess of consumerist lifestyles. Drawing on the influence of Zen, Confucianism, and Taoism, it celebrates natural materials and clean, functional expressions of simplicity found in the hand-made arts and crafts from the community.

Frugal Simplicity

By cutting back on spending that is not truly serving one’s life, and by practicing skillful management of one’s personal finances, one can achieve greater financial independence. Frugality and careful financial management bring increased financial freedom and the opportunity to more consciously choose one’s path through life. Living with less also decreases the impact of our consumption on the earth and frees resources for others.

Natural Simplicity

Simplicity in one’s life can signify a remembrance and reconnection to one’s deep roots in the natural world. It means to experience one’s connection with the ecology of life in which one lives and to balance their experience of the man-made environments with time in nature. It means to celebrate the experience of living through the seasons.

Political Simplicity

Simplicity means to organize one’s life in ways that enable people to life more lightly and sustainability, which in turn, involves changes to the life of the community: from transportation and education to the design of our homes, town, and workplaces. Such can also be a media politic because mass media can be the primary way to reinforce or transform the community’s awareness of consumerism. Political simplicity is a politic of conversations within the community that builds local, face-to-face connections: networks of relationships, which enable others to make conscious decisions about change in their lives as well.

Spiritual Simplicity

One may approach life as a meditation and cultivate their experience of intimate connections with all that exits around us: plants, animals, friends, and neighbors. Spiritual simplicity is more concerned with consciously enjoying life in its unadorned richness rather than with any particular standard or manner of material living. By cultivating a spiritual connection with life, one tends to look beyond surface appearances and to bring their inner self into relationships of all kinds.

Uncluttered Simplicity

To live an uncluttered life means to take charge of a life that is too busy, too stressed and too fragmented. It means cutting back on inconsequential distractions and focusing on the essentials, whatever those may be for each unique life.

SIMPLE LIVING

Simple Living

We live in a fast paced, consumer oriented society; indeed, we are constantly under pressure to consume. The mantras of the 21st century are: “More is better” and “New is better.” We are bombarded, twenty-four hours a day, by advertisements that tell us we are less than successful if we don’t own the latest luxury Lexus, or the 50-inch plasma TV and home entertainment center. We are told that we are less than acceptable if we do not possess and wear the latest designer fashions, the newest make-up, or don’t eat in the trendiest new restaurants. We need bigger and better computers, video games, cell phones capable of texting around the world, taking photographs, videos, playing games, and keeping us constantly on the Internet. All these things are wonders to behold, the best our technology can give us – for now. In two year, a year, six months, some of our “cool stuff” will be totally outmoded, obsolete. What are we told we must do, in order to be successful? We need to discard what is outmoded and replace it with what is now “new and improved.”

So we spend what we earn, and then we spend what we don’t have but will earn – maybe. We owe on our homes, our cars, our appliances, and our futures. We suddenly wake up to find that we have mortgaged our entire lives; and for what? Are we happier? Do we now have peace of mind? Are we more secure in our lives? Probably not!
To quote Confucius: Life is really simple, but we insist on making it complicated. How true! Amatai-no-Shugo-Ryū offers a simple tenet, in line with Wa-Dō, by which one is able to change the course of their personal consumerism, to in effect, get off the “consumerist merry-go-round.” The principle is itself simple, so simple in fact, that for our intents and purposes, it is referred to as “simple living.”

One may also refer to the principle as “voluntary simplicity,” although, simple living sounds better. It is a lifestyle which is distinguished by minimizing the modern ethic of contemporary “more-is-better” pursuit of wealth and consumption. Advocates of simple living may chose to do so for a variety of personal reasons such as: spirituality, health, increase in “quality time” for family and friends, stress reduction, personal taste or frugality. Other people may allude to more socio-political goals that are aligned with other anti-consumerist movements, including conservation, social justice and sustainable development. All worthy causes and reasons in of themselves to simplify one’s life. One can describe voluntary simplicity as a manner of living that is outwardly more simple and inwardly more rich: a way of being in which our true and active self is brought into the light of our consciousness and applied to how we life as individuals and as members of a community or society.

Simple living is a concept far different from those living in forced poverty. It is a voluntary choice of lifestyle. Although asceticism generally encourages living simply and refraining from luxury and indulgence, not all supporters or parishioners of voluntary simplicity are ascetics.
The recorded history of simple living can be found in the teachings of Taoism, of Confucioius and Mencius. Buddha was an ascetic. In Japan we find a strong advocacy for simple living in the teachings of Zen Buddhism and Bushidō, which made the ways and means of simple living something distinctly Japanese.

Some people practice simple living to reduce the need for purchased goods or services and by doing so, reduce their need to, in effect, sell their time for money. Some will spend the extra free time helping family and friends. During the holiday seasons, such people often perform forms of alternative giving, such as volunteer work with the poor and homeless. Others may spend the extra free time to improve the quality of their lives by, for example, pursuing creative activities such as sadō, shodō, or studying a martial art.

One approach to adapting a more simplified way of living is to focus more fundamentally on the underlying reasons and motivation of buying and consuming so many resources for what we are led to believe is a good quality of life. Modern society tells us that me must, in essence, buy happiness; however, materialism and consumerism frequently fails to satisfy us and in the long-term, may even increase the level of stress in our lives. It has been said “the making of money and the accumulation of things should not smother the purity of the soul, the life of the mind, the cohesion of the family, or the good of society.” Quite simply, the more money we spend, the more time we have to be out there earning it and the less time we have to spend with the ones we love.

Some simple suggestions to help simplify our style of living are:

• 
  Stop buying things that are not necessary. Yes we may feel having a television is important; indeed it really seems to be a necessity these days. The question is do we need the 50-inch home entertainment center or is there something lesser, which does the job just as well. If our neighbors the Yamadas buy a new TV, do we need to buy the same one or a little better? If our boss at work buys a new car, do we need to cast aside our car and mortgage our lives more to buy the same car, or one just a little bit better? Probably not. One should buy what they need: what gets the job done and not necessarily anything more than that.


• 
  Throw away, or better donate to someone in need, what you, yourself don’t need.


• 
  Focus on what is truly important.


• 
  Listen to the voice within you and pay attention to it.


• 
  Obtain what you really do need (food, shelter, company). It’s nice, it’s great to have “stuff”, but perhaps we should think about what is really needed as to what we are told we want.


• 
  Keep a sense of perspective and humor about what you see and hear.


• 
  Keep in touch with your friends and family.


• 
  Don’t try to keep up with everyone else, especially because you are told you have to.


• 
  Have fun.


• 
  Grow as a person


• 
  Remember, everything will be alright!

UNCLE HAYTO'S TEA TALES

The Ten Virtues of Cha

According to tradition, Myōei Shonin[1]of Toga-no-ō received some tea plants from Eisai Shōnin[2] and planted them there. To this day, both connoisseurs of tea and devotees of sadō (the Way of Tea) consider this tea to be the absolute best, largely because Shonin himself used it. He once wrote down what he considered to the, as he called them, the Ten Virtues of Tea:

1. Has the blessing of all the Gods.
2. Promotes filial piety.
3. Drives away the Devil.
4. Drives away drowsiness.
5. Keeps the Five Viscera[3] in harmony.
6. Fights off disease.
7. Strengthens friendships.
8. Disciplines the mind and body.
9. Calms the passions.
10. Gives a peaceful death.
[1] Myōei Shonin is credited with being the first actual tea manufacture in Japan.
[2] Eisai (1141 – 1215) was a Zen Buddhist monk. A bit of a renegade of the Tendai Buddhist School, he took up the Rinzai school of Zen and after studying in China, brought the discipline to Kyoto and Kyushu. This drew heavy criticism from the Tendai leaders and Eisai found himself charged with heresy. In 1199 he fled to Kamakura were Hōjō Masako took him under his protection and made him abbot of Kennin-ji Temple.
[3] The internal organs in a human body can be classified into five viscera organs (Wu Zang) and six bowel organs (Liu Fu). The five zang organs are: heart, liver, spleen, lungs and kidneys. The six fu organs are: stomach, small intestine, large intestine, gallbladder, urinary bladder and Triple Energizer (San Jiao).

UNCLE HAYATO'S TEA TALES

Morata Shuko,
Founder Of The Tea Ceremony

Shuko’s real name was Murata Mōkichi and he was the son of Moku-ichi Kenko of Nara. Even as a young man he had a taste for, if not an appreciation of, tea and an obsession with gambling at tocha, tea-tasting tournaments. Shuko, with a number of his friends and other delinquents, would gather at some nearby inn or roadhouse where they would hold impromptu parties and drink large amounts of tea, competing to see who could identify the “true” tea from Uji, a village on the southern outskirts of Kyoto, and which was not. These parties were often wild, decadent affairs where large sums of money or lavish prizes would go to the winners. Needless to say, this was not what his family had intended for him.

His addiction to tocha eventually was so out of hand that his family sent him away to the priesthood at the Shōmei-ji monastery where he lived for almost ten years. But being that he was young and lazy, he was eventually expelled from the temple. From there he journeyed to Kyoto where he entered the Daitoku-ji at Murasakino, where he studied under Ikkyu Sōjun[i]. His one great fault was that he would always fall asleep in the daytime (as well as nighttime) to the detriment of his studies and the amusement of his fellow students. Some clever fellow even went so far as to remark that if his teacher was Ikkyu (one slumber) then the Shuko should be called Hyakkyu (a hundred slumbers).

That he was a source of entertainment to his fellows and that his studies were indeed suffering did not go unnoticed by Shuko. He went so far as to go to a doctor to ask for a prescription to keep him awake so that he could study. The doctor, after listening to Shuko’s sad tale, suggested that tea was the best stimulant for the mind and told the hapless student to drink lots of it - and often. He took up drinking the tea of Toga-no-ō[ii] and found it very effective indeed. Soon he was not only drinking the tea by himself but whenever anyone came to see him he would offer them some as well, accompanied by considerable ceremony.

By some way or means, the Shōgun, Ashikaga Yoshimasa, heard of this and took an immediate interest; in fact, he was so interested that he summoned Shuko to the palace and ordered him to arrange a ceremony for drinking tea. Assisted by two friends, Nō-ami[iii] and Sō-ami[iv], Shuko compared the tea etiquettes already in use and selected parts from several to use. Yoshimasa was quite pleased by the young man’s efforts. He instructed Shuko to give up the monastic life and to build a hut for himself near Sanjo. The Shōgun also gave him a plaque, written in his own hand to be placed over the gate, which read Shu-kō-an-shu or “Pearl-Bright-Cell-Master.”

From then on, Shuko devoted himself only to the arts of cooking special meals, eating them, infusing tea and of course drinking it. He also took to entertaining his friends with these special meals, and of course preparing tea. In time at such gatherings, he and his friends started to entertain themselves by composing and reciting Japanese verses. Anyone who was anyone competed for the honor of his friendship and thus, cha or tea, began to increase in popularity.

Shuko was the first in Japan to whom the title of Tea Master was ever given. He died and the ripe age of eighty-one on the fifteenth of May in 1503 and was buried at the Shinju-an of the temple of Diatoku-ji at Murasakino in Kyoto, where he had been a student. To say that he was sorely missed would be an understatement; for after his departure, it did not take long for his friends and associates to realize that the quality of his “tea meetings” did not stem from the utensils he used or the pictures and writings on the walls but instead came directly from him and that, could never be replaced.

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[i] Ikkyu Sōjun (1394-1481) was an eccentric, nonconformist Japanese Zen Buddhist priest and poet. He had a great impact on the infusion of Japanese art and literature with Zen attitudes and ideals. He also had a strong influence on the development of the formal Japanese tea ceremony.
[ii] Toga-no-ō was the first place that tea was grown in Kyoto, which was designated as real tea verses the other places where it was grown in Japan. Yosai brought tea seeds and the processing technique from China along with Renzai Zen in about 1192 A.D. He gave some seeds to his disciples who planted them at Toga no O, at his temple Kozan-ji. Thus, Toga no O is considered the starting place for tea, followed by Uji.)
[iii] Nō-ami (Nakao Shinnō) (1397 – 1494) was a poet, painter, art critic, and the first non-priest who painted in the suiboku (water-ink) style of the Chinese. He was also the grandfather of Sō-ami.
[iv] Sō-ami (1472 – 1525) was a true renaissance man of the Muromachi Period of Japanese history. He was a painter, art critic, pot, landscape gardener, and master of the tea ceremony, incense ceremony and flower arrangement, and a leading figure in the development of Japanese aesthetics.

Copyright 2009 by Hayato Tokugawa and Shisei-Do Publications. All rights reserved.